Jensens ekphrasis in “The King’s Fall” as “interference”

The article analyzes an example of ekphrasis from the novel “The King’s Fall” (1901) by Danish Nobel prize-winner Johannes V. Jensen as a space interaction between visualization strategy and rhythmic organization prose. idea “interference” principle mutual influence waves in Physics is dear to writer at this early stage his career present title poem prose 1901. His turn-of-the-century poems often combine high low, emptiness fullness, different kinds media. As historical describing epoch 16th century, borrows pictorial features structural principles Baroque painting well essential ideas epoch’s memento mori, reflected paintings H. Holbein, P. Bruegel elder still-lifes Flemish Dutch masters Vanitas series. under consideration presented piece memory unfolding before eyes observer, with its frame, light, perspective, horizon line, colours viewer. Furthermore, thanks rhythmicity, repeated syntactic, lexical groups alliteration, focus shifts creative act, betraying presence creator narrator.